New exhibit on celebrated Tlingit artist Nathan Jackson to be Unveiled
Exhibit shows breadth of work from early days to present
April 02, 2019
(SitNews) - Sealaska Heritage Institute (SHI) will unveil a new exhibit this week featuring the work of Tlingit master artist Nathan Jackson, one of the most renowned and internationally recognized Tlingit artists of his generation.
The exhibit, Yéil Yádi-Raven Child: A Nathan Jackson Retrospective, will show Jackson's work from his earliest productions to his most recent, beginning from the early 1960s and spanning to the present day.
"The exhibit allows the viewer to see the evolution of an artist who over decades mastered our ancient art practices and eventually developed his own unique interpretation," said SHI President Rosita Worl.
Bear Mask by Master Artist Nathan Jackson
Photo by Brian Wallace for Sealaska Heritage
"We are thrilled to feature the work of Nathan, who is celebrated among the Native community and by the nation."
The exhibit will open at the Walter Soboleff Building in Juneau at 4:30 pm, Friday, April 5, 2019, during First Friday and will close Oct. 15, 2019. Visitors are welcome to explore it free of charge on April 5th. Everyone is welcome.
Jackson, the leader of the Lukaax.ádi clan, is highly esteemed in the Native community for his mastery of Northwest Coast art and for his willingness to teach the art form to succeeding generations. He learned to carve at a time when Native people were in danger of losing traditional knowledge, and he has aimed to ensure that the traditional art forms are not lost. Many emerging Northwest Coast artists have been the benefactors of his mentorship and wisdom.
He is also known worldwide and has won acclaim from the United States and collectors across the globe. He was recognized as a master traditional artist in 1995 by the National Endowment for the Arts, the nation's highest honor in traditional arts.
Curated by master carver Steve Brown, the exhibit is segmented into three areas. Early Explorations features pieces from 1962 to about 1966 and includes works produced during his tenure as a student at the Institute of American Indian Arts in Santa Fe, New Mexico. Setting the Bar shows works from about 1967-1972 that illustrate Jackson's increasing familiarity with the range of Tlingit artistic traditions and the unfolding evolution of his unique personal style. Mature Visions features pieces from the early 1970s onward that illustrate Jackson's mature and evolved two-dimensional and sculptural styles.
About Nathan Jackson
Nathan Jackson, Yéil Yádi (Raven Child), practices traditional Tlingit Northwest Coast art as a carver, painter, and designer, creating masks, bentwood bowls, panels, houseposts, totem poles and jewelry.
Jackson's artwork can be found in major museums and collections across Alaska, the nation, and the world. He has placed dozens of totem poles in outdoor and interior locations and has major panels on view in public facilities, private businesses and homes. Part of the landscape of Southeast Alaska, his art has accompanied him as an ambassador for his culture, from Ketchikan to London to Kobe. Nathan has made numerous masks and ritual objects for use in clan ceremonies and is celebrated for passing on his knowledge to succeeding generations.
In 1988, Jackson received an Honorary Doctorate of Humanities from the University of Alaska, Southeast. In 1995, he was one of 12 recipients of a National Endowment for the Arts Heritage Fellowship Award. In 2009, Nathan was honored as the Rasmuson Foundation's Distinguished Artist of the Year. He continues to carve large and small projects in the carving shed at the Saxman Totem Park outside of Ketchikan.
Editing by Mary Kauffman, SitNews
Source of News:
Sealaska Heritage Institute
Sealaska Heritage Institute is a private nonprofit founded in 1980 to perpetuate and enhance Tlingit, Haida and Tsimshian cultures of Southeast Alaska. Its goal is to promote cultural diversity and cross-cultural understanding through public services and events. SHI also conducts social scientific and public policy research that promotes Alaska Native arts, cultures, history and education statewide. The institute is governed by a Board of Trustees and guided by a Council of Traditional Scholars, a Native Artist Committee and a Southeast Regional Language Committee.
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